Poem fractal

Side by side

Random

0.010 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

A Letter to My Aunt

by Dylan Thomas

−0.1065 − 0.1088i

Drawing the boundary…

Melancholy

by John Fletcher

−0.1025 − 0.0995i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

A Letter to My Aunt

by Dylan Thomas

To you, my aunt, who would explore 
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I’ll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.

First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers minus hips).

Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers’ chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.

Do not forget that ‘limpet’ rhymes
With ‘strumpet’ in these troubled times,
And commas are the worst of crimes ;
Few understand the works of Cummings,
And few James Joyce’s mental slummings,
And few young Auden’s coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals, and [turds]*,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman’s germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?

A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.

Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.

Melancholy

by John Fletcher

Hence, all you vain delights,
As short as are the nights
Wherein you spend your folly!
There's naught in this life sweet,
If men were wise to see 't,
But only melancholy—
O sweetest melancholy!
Welcome, folded arms and fixèd eyes,
A sight that piercing mortifies,
A look that's fasten'd to the ground,
A tongue chain'd up without a sound!

Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed, save bats and owls!
A midnight bell, a parting groan—
These are the sounds we feed upon:
Then stretch our bones in a still gloomy valley,
Nothing's so dainty sweet as lovely melancholy.

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