Poem fractal

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0.027 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Emperor's Rhyme

by A. A. Milne

−0.2293 − 0.2848i

Drawing the boundary…

The Convergence of the Twain

by Thomas Hardy

−0.2224 − 0.3110i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Emperor's Rhyme

by A. A. Milne

The King of Peru
(Who was Emperor too)
Had a sort of a rhyme
Which was useful to know,
If he felt very shy
When a stranger came by,
Or they asked him the time
When his watch didn't go;
Or supposing he fell
(By mistake) down a well,
Or he tumbled when skating
And sat on his hat,
Or perhaps wasn't told,
Till his porridge was cold,
That his breakfast was waiting - 
Or something like that;
Oh, whenever the Emperor
Got in to a temper, or
Felt himself sulky or sad,
He would murmur and murmur,
Until he felt firmer,
This curious rhyme which he had:

Eight eights are sixty-four,
Multiply by seven.
When it's done,
Carry one
And take away eleven,
Nine nines are eighty-one
Multiply by three.
If it's more,
Carry four,
And then it's time for tea.

So whenever the Queen
Took his armour to clean,
And she didn't remember
To use any starch;
Or his birthday (in May)
Was a horrible day,
Being wet as November
And windy as March;
Or, if sitting in state
With the Wise and the Great,
He just happened to hiccup
While signing his name,
Or the Queen gave a cough,
When his crown tumbled off
As he bent down to pick up
A pen for the same;
Oh, whenever the Emperor
Got into a temper, or
Felt himself awkward and shy,
He would whisper and whisper,
Until he felt crisper,
This odd little rhyme to the sky:

Eight eights are eighty-one;
Multiply by seven.
If it's more,
Carry four,
And take away eleven.
Nine nines are sixty-four;
Multiply by three.
When it's done,
Carry one,
And then it's time for tea.

The Convergence of the Twain

by Thomas Hardy

(Lines on the loss of the "Titanic")

In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

Over the mirrors meant
To glass the opulent
The sea-worm crawls — grotesque, slimed, dumb, indifferent.

Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

Dim moon-eyed fishes near
Gaze at the gilded gear
And query: "What does this vaingloriousness down here?"…

Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything

Prepared a sinister mate
For her — so gaily great —
A Shape of Ice, for the time far and dissociate.

And as the smart ship grew
In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.

Alien they seemed to be;
No mortal eye could see
The intimate welding of their later history,

Or sign that they were bent
By paths coincident
On being anon twin halves of one august event,

Till the Spinner of the Years
Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.

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