If any man drew near When I was young, I thought, 'He holds her dear,' And shook with hate and fear. But oh, 'twas bitter wrong If he could pass her by With an indifferent eye.
Whereon I wrote and wrought, And now, being grey, I dream that I have brought To such a pitch my thought That coming time can say, 'He shadowed in a glass What thing her body was.'
For she had fiery blood When I was young, And trod so sweetly proud As 'twere upon a cloud, A woman Homer sung, That life and letters seem But an heroic dream.
He fumbles at your spirit As players at the keys— Before they drop full music on— He stuns you by degrees—
Prepares your brittle nature For the ethereal blow By fainter hammers—further heard— Then nearer—then so—slow—
Your breath has time to straighten— Your brain—to bubble cool— Deals one—imperial thunderbolt— That scalps your naked soul—
When Winds hold forests in their Paws— The Universe—is still
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Track 1
How this picture is made
What a fractal is
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
How the boundary is drawn
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
What the branching signifies
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.