A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.111 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Spenser

by Hartley Coleridge

−0.3387 + 1.8402i

Drawing the boundary…

Because the pleasure-bird whistles

by Dylan Thomas

−0.2792 + 1.7464i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Spenser

by Hartley Coleridge

Sweet was the youth of virgin Poesy,
That virgin sweetness which she gave to thee,
My SPENSER, bard of happy innocence!
For thou didst with a bridegroom’s love intense
Caress the fair inventions of thy brain,
Those babes of paradise, without the pain
Of mortal birth, to fairest heritage
Born in the freshness of their perfect age.
Thy Faery Knight had all the world in fee,
For all the world was Faeryland to thee.
Thine is no tale, once acted, then forgot;
Thy creatures never were, and never will be not.
Oh! look not for them in the dark abyss
Where all things have been, and where nothing is
The spectral past; —nor in the troubled sea
Where all strange fancies are about to be —
The unabiding present. Seek them where
For ever lives the Good, the True, the Fair,
In the eternal silence of the heart.
There Spenser found them; thence his magic art
Their shades evoked in feature, form, and limb,
Real as a human self, and bright as cherubim.
And what though wistful love and emulous arms,
And all the wizard might of mutter’d charms,—
Though slimy snakes disgorge their loathly rage,
And monstrous phantoms wait on Archimage:
These are but dreams, that come, and go, and peep
Through the thin curtain of a morning sleep,
And leave no pressure on the soul, that wakes
And hails the glad creation that it makes.

Because the pleasure-bird whistles

by Dylan Thomas

Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable;
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.

—
—
0:00
0:00
Track 1
Skip to main content