A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.120 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Spenser

by Hartley Coleridge

−0.3387 + 1.8402i

Drawing the boundary…

Human Life

by Samuel Taylor Coleridge

−0.2548 + 1.7539i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Spenser

by Hartley Coleridge

Sweet was the youth of virgin Poesy,
That virgin sweetness which she gave to thee,
My SPENSER, bard of happy innocence!
For thou didst with a bridegroom’s love intense
Caress the fair inventions of thy brain,
Those babes of paradise, without the pain
Of mortal birth, to fairest heritage
Born in the freshness of their perfect age.
Thy Faery Knight had all the world in fee,
For all the world was Faeryland to thee.
Thine is no tale, once acted, then forgot;
Thy creatures never were, and never will be not.
Oh! look not for them in the dark abyss
Where all things have been, and where nothing is
The spectral past; —nor in the troubled sea
Where all strange fancies are about to be —
The unabiding present. Seek them where
For ever lives the Good, the True, the Fair,
In the eternal silence of the heart.
There Spenser found them; thence his magic art
Their shades evoked in feature, form, and limb,
Real as a human self, and bright as cherubim.
And what though wistful love and emulous arms,
And all the wizard might of mutter’d charms,—
Though slimy snakes disgorge their loathly rage,
And monstrous phantoms wait on Archimage:
These are but dreams, that come, and go, and peep
Through the thin curtain of a morning sleep,
And leave no pressure on the soul, that wakes
And hails the glad creation that it makes.

Human Life

by Samuel Taylor Coleridge

If dead, we cease to be; if total gloom
Swallow up life’s brief flash for aye, we fare
As summer gusts, of sudden birth and doom,
Whose sound and motion not alone declare,
But are their whole of being! If the breath
Be Life itself, and not its task and tent,
If even a soul like Milton’s can know death;
O Man! thou vessel purposeless, unmeant,
Yet drone-hive strange of phantom purposes!
Surplus of Nature’s dread activity,
Which, as she gazed on some nigh-finished vase,
Retreating slow, with meditative pause,
She formed with restless hands unconsciously.
Blank accident! nothing’s anomaly!
If rootless thus, thus substanceless thy state,
Go, weigh thy dreams, and be thy hopes, thy fears,
The counterweights!—Thy laughter and thy tears
Mean but themselves, each fittest to create
And to repay the other! Why rejoices
Thy heart with hollow joy for hollow good?
Why cowl thy face beneath the mourner’s hood?
Why waste thy sighs, and thy lamenting voices,
Image of Image, Ghost of Ghostly Elf,
That such a thing as thou feel’st warm or cold?
Yet what and whence thy gain, if thou withhold
These costless shadows of thy shadowy self?
Be sad! be glad! be neither! seek, or shun!
Thou hast no reason why! Thou canst have none;
Thy being’s being is contradiction.

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