Poem fractal

Side by side

Random

0.031 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Voiceless

by Oliver Wendell Holmes, Sr.

−0.5881 − 0.0871i

Drawing the boundary…

Then was my neophyte

by Dylan Thomas

−0.5816 − 0.1170i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Voiceless

by Oliver Wendell Holmes, Sr.

We count the broken lyres that rest
Where the sweet wailing singers slumber,
But o'er their silent sister's breast
The wild-flowers who will stoop to number?
A few can touch the magic string,
And noisy Fame is proud to win them:—
Alas for those that never sing,
But die with all their music in them!

Nay, grieve not for the dead alone
Whose song has told their hearts' sad story,—
Weep for the voiceless, who have known
The cross without the crown of glory
Not where Leucadian breezes sweep
O'er Sappho's memory-haunted billow,
But where the glistening night-dews weep
On nameless sorrow's churchyard pillow.

O hearts that break and give no sign
Save whitening lip and fading tresses,
Till Death pours out his longed-for wine
Slow-dropped from Misery's crushing presses,—
If singing breath or echoing chord
To every hidden pang were given,
What endless melodies were poured,
As sad as earth, as sweet as heaven!

Then was my neophyte

by Dylan Thomas

Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.

Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities’ sails
Furled on the fishes’ house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.

He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children’s parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love’s image till my heartbone breaks
By a dramatic sea.

Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
‘Who could snap off the shapeless print
From your tomorrow-treading shade
With oracle for eye?’
Time kills me terribly.
‘Time shall not murder you,’ He said,
‘Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?’
I saw time murder me.

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