Poem fractal

Side by side

Random

0.037 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

To-Day

by Ella Wheeler Wilcox

−0.4154 + 0.1896i

Drawing the boundary…

Out of the Pit

by Dylan Thomas

−0.3910 + 0.1621i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

To-Day

by Ella Wheeler Wilcox

I love this age of energy and force,
Expectantly I greet each pregnant hour;
Emerging from the all-creative source,
Supreme with promise, imminent with power.
The strident whistle and the clanging bell,
The noise of gongs, the rush of motored things
Are but the prophet voices which foretell
A time when thought may use unfettered wings.

Too long the drudgery of earth has been
A barrier 'twixt man and his own mind.
Remove the stone, and lo! the Christ within;
For He is there, and who so seeks shall find.
The Great Inventor is the Modern Priest.
He paves the pathway to a higher goal.
Once from the grind of endless toil released
Man will explore the kingdom of his soul.

And all this restless rush, this strain and strife,
This noise and glare is but the fanfarade
That ushers in the more majestic life
Where faith shall walk with science, unafraid.
I feel the strong vibrations of the earth,
I sense the coming of an hour sublime,
And bless the star that watched above my birth
And let me live in this important time.

Out of the Pit

by Dylan Thomas

Within his head revolved a little world
Where wheels, confusing music, confused doubts,
Rolled down all images into the pits
Where half dead vanities were sleeping curled
Like cats, and lusts lay half hot in the cold.

Within his head the engines made their hell,
The veins at either temple whipped him mad,
And, mad, he called his curses upon God,
Spied moon-mad beasts carousing on the hill,
Mad birds in trees, and mad fish in a pool.
Across the sun was spread a crazy smile.
The moon leered down the valley like a fool.

Now did the softest sound of foot or voice
Echo a hundred times, the flight of birds
Drum harshly on the air, the lightning swords
Tear with a great sound through the skies,
And there was thunder in an opening rose.

All reason broke, and horror walked the roads.
A smile let loose a devil, a bell struck.
He could hear women breathing in the dark,
See women’s faces under living snoods,
With serpents’ mouths and scalecophidian voids
Where eyes should be, and nostrils full of toads.

Taxis and lilies to tinned music stepped
A measure on the lawn where cupids blew
Water from nose and arse, a Sanger’s show
Paraded up the aisles and in the crypt
Of churches made from abstract and concrete.
Pole-sitting girls descended for a meal,
Stopped non-stop dancing to let hot feet cool,
Or all-in wrestling for torn limbs to heal,
The moon leered down the valley like a fool.

Where, what’s my God among this crazy rattling
Of knives on forks, he cried, of nerve on nerve,
Man’s rib on woman’s, straight line on a curve,
And hand to buttock, man to engine, battling,
Bruising, where’s God’s my Shepherd, God is Love?
No loving shepherd in this upside life.

So crying, he was dragged into the sewer,
Voles at his armpits, down the sad canal
Where floated a dead dog who made him ill,
Plunged in black waters, under hail and fire,
Knee-deep in vomit. I saw him there,
And thus I saw him searching for his soul.

And swimming down the gutters he looks up
At cotton worlds revolving on a hip,
Riding on girders of the air, looks down
On garages and clinics in the town.

Where, what’s my God among this taxi stepping,
This lily crawling round the local pubs?
It was November there were whizzbangs hopping,
But now there are the butt-ends of spent squibs.

So crying, he was pushed into the Jordan.
He, too, has known the agony in the Garden,
And felt a skewer enter at his side.
He, too, has seen the world as bottom rotten,
Kicked, with a clatter, ash-bins marked verboten,
And heard the teeth of weasels drawing blood.

And thus I saw him. He was poised like this,
One hand at head, the other at a loss,
Between the street-lamps and the ill-lit sky,
And thus, between the seasons, heard him cry:

Where, what’s my God? I have been mad, am mad,
Have searched for shells and signs on the sea shore,
Stuck straw and seven stars upon my hair,
And leant on stiles and on the golden bar,
I have ridden on gutter dung and cloud.
Under a hideous sea where coral men
Feed in the armpits of drowned girls, I’ve swum
And sunk; waved flags to every fife and drum;
Said all the usual things over and again;
Lain with parched things; loved dogs and women;
I have desired the circle of the sun.
Tested by fire, double thumb to nose,
I’ve mocked the moving of the universe.

Where, what? There was commotion in the skies,
But no god rose. I have seen bad and worse,
Gibed the coitus of the stars. No god
Comes from my evil or my good. Mad, mad,
Feeling the pinpricks of the blood, I’ve said
The novel things. But it has been no good.

Crying such words, he left the crying crowds,
Unshackled the weights of words from tired limbs,
And took to feeding birds with broken crumbs
Of old divinities, split bits of names.
Very alone, he ploughed the only way.
And thus I saw him in a square of fields,
Knocking off turnip tops, with trees for friends,
And thus, some time later, I heard him say:

Out of the buildings of the day I’ve stepped
To hermits’ huts, and talked to ancient men.
Out of the noise into quiet I ran.
My God’s a shepherd, God’s the love I hoped.
The moon peers down the valley like a saint.
Taxis and lilies, noise and no noise,
Pair off, make harmonies, a harmonious chord,
For he has found his soul in loneliness,
Now he is one with many, one with all,
Fire and Jordan and the sad canal.
Now he has heard and read the happy word.
Still, in his hut, he broods among his birds.
I see him in the crowds, not shut
From you or me or wind or rat
Or this or that.

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