Poem fractal

Side by side

Random

0.028 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

On first looking into Chapman's Homer

by John Keats

−0.0141 + 0.5136i

Drawing the boundary…

Swinging the Lead

by Banjo Paterson

−0.0342 + 0.5328i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

On first looking into Chapman's Homer

by John Keats

Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer rul'd as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Looked at each other with a wild surmise—
Silent, upon a peak in Darien.

Swinging the Lead

by Banjo Paterson

Said the soldier to the Surgeon, 'I've got noises in me head
And a kind o' filled up feeling after every time I'm fed;
I can sleep all night on picket, but I can't sleep in my bed.'
And the Surgeon said,
'That's Lead!'

Said the soldier to the surgeon, 'Do you think they'll send me back?
For I really ain't adapted to be carrying a pack
Though I've humped a case of whisky half a mile upon my back.'
And the Surgeon said,
'That's Lead!'

'And my legs have swelled up cruel, I can hardly walk at all,
But when the Taubes come over you should see me start to crawl;
When we're sprinting for the dugout, I can easy beat 'em all.'
And the Surgeon said,
'That's Lead.'

So they sent him to the trenches where he landed safe and sound,
And he drew his ammunition, just about two fifty round:
'Oh, Sergeant, what's this heavy stuff I've got to hump around?'
And the Sergeant said,
'That's Lead!'

—
—
0:00
0:00
Track 1
Skip to main content