Poem fractal

Side by side

Random

0.007 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Repose of Rivers

by Hart Crane

−0.5866 − 0.1123i

Drawing the boundary…

Then was my neophyte

by Dylan Thomas

−0.5816 − 0.1170i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Repose of Rivers

by Hart Crane

The willows carried a slow sound,
A sarabande the wind mowed on the mead.
I could never remember
That seething, steady leveling of the marshes
Till age had brought me to the sea.

Flags, weeds. And remembrance of steep alcoves
Where cypresses shared the noon's
Tyranny; they drew me into hades almost.
And mammoth turtles climbing sulphur dreams
Yielded, while sun-silt rippled them
Asunder ...

How much I would have bartered! the black gorge
And all the singular nestings in the hills
Where beavers learn stitch and tooth.
The pond I entered once and quickly fled—
I remember now its singing willow rim.

And finally, in that memory all things nurse;
After the city that I finally passed
With scalding unguents spread and smoking darts
The monsoon cut across the delta
At gulf gates ... There, beyond the dykes

I heard wind flaking sapphire, like this summer,
And willows could not hold more steady sound.

Then was my neophyte

by Dylan Thomas

Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.

Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities’ sails
Furled on the fishes’ house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.

He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children’s parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love’s image till my heartbone breaks
By a dramatic sea.

Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
‘Who could snap off the shapeless print
From your tomorrow-treading shade
With oracle for eye?’
Time kills me terribly.
‘Time shall not murder you,’ He said,
‘Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?’
I saw time murder me.

—
—
0:00
0:00
Track 1
Skip to main content