Poem fractal

Side by side

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0.078 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Ere Elfish Night Shall Sift Another Day

by Hart Crane

−0.6414 + 0.9026i

Drawing the boundary…

A Beautiful Young Nymph Going to Bed

by Jonathan Swift

−0.5647 + 0.9184i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Ere Elfish Night Shall Sift Another Day

by Hart Crane

Ere elfish Night shall sift another day
Hope-broken 'neath her ebon scepter's keep,
Or the fainting soul's last flames all trembling creep
White-taper-like, and paler, pulse away,
Then shalt thou come, O Saint, in magic sway
Of midnight's purple organ-breath, and sweep
Brave echoes from the spooming coast to steep,
Blue heights where cone-wood calls near summits spray
Frost-fringes through thine octaves…. And from shades
Of moon-fled valleys, there shall rise a rift,
The supplication of all earth, mute serenades,
Whispering, "Cecilia, Saint, leave us thy gift."
And sleep shalt thou bestow, the final song,
And Time shall set the morning stars adrift.

A Beautiful Young Nymph Going to Bed

by Jonathan Swift

Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hyde,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up goes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaister,
But must, before she goes to Bed,
Rub off the Dawbs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With Pains of Love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lye,
And snap some Cully passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.

Corinna wakes. A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaister stole,
Half eat, and dragg'd it to his Hole.
The Crystal Eye, alas, was miss't;
And Puss had on her Plumpers pisst.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.

The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or shew the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.

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