Poem fractal

Side by side

Random

0.022 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Jock

by Banjo Paterson

−0.4459 − 0.0091i

Drawing the boundary…

Possessions

by Hart Crane

−0.4591 − 0.0262i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Jock

by Banjo Paterson

There's a soldier that's been doing of his share
In the fighting up and down and round about.
He's continually marching here and there
And he's fighting, morning in and morning out.

The Boer, you see, he generally runs;
But sometimes when he hides behind a rock,
And we can't make no impression with the guns,
Oh, then you'll hear the order, 'Send for Jock!'

Yes, it's Jock — Scotch Jock.
He's the fellow that can give or take a knock.
For he's hairy and he's hard,
And his feet are by the yard,
And his face is like the face what's on a clock.
But when the bullets fly you will mostly hear the cry —
'Send for Jock!'

The Cavalry have gun and sword and lance,
Before they choose their weapon, why, they're dead.
The Mounted Fut are hampered in advance
By holding of their helmets on their head.

And when the Boer has dug himself a trench
And placed his Maxim gun behind a rock,
These mounted heroes — pets of Johnny French —
They have to sit and wait and send for Jock!

Yes, the Jocks — Scotch Jocks,
With their music that'd terrify an ox!
When the bullets kick the sand
You can hear the sharp command —
'Forty-Second! At the double! Charge the rocks!'
And the charge is like a flood
When they've warmed the Highland blood
Of the Jocks!

Possessions

by Hart Crane

Witness now this trust! the rain
That steals softly direction
And the key, ready to hand-sifting
One moment in sacrifice (the direst)
Through a thousand nights the flesh
Assaults outright for bolts that linger
Hidden,—O undirected as the sky
That through its black foam has no eyes
For this fixed stone of lust…

Accumulate such moments to an hour:
Account the total of this trembling tabulation.
I know the screen, the distant flying taps
And stabbing medley that sways—
And the mercy, feminine, that stays
As though prepared.

And I, entering, take up the stone
As quiet as you can make a man.
In Bleecker Street, still trenchant in a void,
Wounded by apprehensions out of speech,
I hold it up against a disk of light—
I, turning, turning on smoked forking spires,
The city's stubborn lives, desires.

Tossed on these horns, who bleeding dies,
Lacks all but piteous admissions to be spilt
Upon the page whose blind sum finally burns
Record of rage and partial appetites.
The pure possession, the inclusive cloud
Whose heart is fire shall come,—the white wind rase
All but bright stones wherein our smiling plays.

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