Poem fractal

Side by side

Random

0.014 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Swinging the Lead

by Banjo Paterson

−0.0342 + 0.5328i

Drawing the boundary…

When you are dead

by Edna St. Vincent Millay

−0.0260 + 0.5447i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Swinging the Lead

by Banjo Paterson

Said the soldier to the Surgeon, 'I've got noises in me head
And a kind o' filled up feeling after every time I'm fed;
I can sleep all night on picket, but I can't sleep in my bed.'
And the Surgeon said,
'That's Lead!'

Said the soldier to the surgeon, 'Do you think they'll send me back?
For I really ain't adapted to be carrying a pack
Though I've humped a case of whisky half a mile upon my back.'
And the Surgeon said,
'That's Lead!'

'And my legs have swelled up cruel, I can hardly walk at all,
But when the Taubes come over you should see me start to crawl;
When we're sprinting for the dugout, I can easy beat 'em all.'
And the Surgeon said,
'That's Lead.'

So they sent him to the trenches where he landed safe and sound,
And he drew his ammunition, just about two fifty round:
'Oh, Sergeant, what's this heavy stuff I've got to hump around?'
And the Sergeant said,
'That's Lead!'

When you are dead

by Edna St. Vincent Millay

When you are dead, and your disturbing eyes
No more as now their stormy lashes lift
To lance me through—as in the morning skies
One moment, plainly visible in a rift
Of cloud, two splendid planets may appear
And purely blaze, and are at once withdrawn,
What time the watcher in desire and fear
Leans from his chilly window in the dawn—
Shall I be free, shall I be once again
As others are, and count your loss no care?
Oh, never more, till my dissolving brain
Be powerless to evoke you out of air,
Remembered morning stars, more fiercely bright
Than all the Alphas of the actual night!

 

—
—
0:00
0:00
Track 1
Skip to main content