The Fox
Y Llwynog
Y bardd aeth i'r llwyn i weld y llwynog,
a'i lun wedi'i lunio ar ei galon.
Ond collwyd y llwynog drwy dwyll y llwyn –
wrth droi'n y drws, diflannodd ei weledigaeth.
Poem fractal
0.011 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
−0.2273 − 0.1697i
Drawing the boundary…
−0.2167 − 0.1669i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
Y Llwynog
Y bardd aeth i'r llwyn i weld y llwynog,
a'i lun wedi'i lunio ar ei galon.
Ond collwyd y llwynog drwy dwyll y llwyn –
wrth droi'n y drws, diflannodd ei weledigaeth.
O! there are spirits of the air,
And genii of the evening breeze,
And gentle ghosts, with eyes as fair
As star-beams among twilight trees:—
Such lovely ministers to meet
Oft hast thou turned from men thy lonely feet.
With mountain winds, and babbling springs,
And moonlight seas, that are the voice
Of these inexplicable things,
Thou didst hold commune, and rejoice
When they did answer thee; but they
Cast, like a worthless boon, thy love away.
And thou hast sought in starry eyes
Beams that were never meant for thine,
Another's wealth:—tame sacrifice
To a fond faith! still dost thou pine?
Still dost thou hope that greeting hands,
Voice, looks, or lips, may answer thy demands?
Ah! wherefore didst thou build thine hope
On the false earth's inconstancy?
Did thine own mind afford no scope
Of love, or moving thoughts to thee?
That natural scenes or human smiles
Could steal the power to wind thee in their wiles?
Yes, all the faithless smiles are fled
Whose falsehood left thee broken-hearted;
The glory of the moon is dead;
Night's ghosts and dreams have now departed;
Thine own soul still is true to thee,
But changed to a foul fiend through misery.
This fiend, whose ghastly presence ever
Beside thee like thy shadow hangs,
Dream not to chase;—the mad endeavour
Would scourge thee to severer pangs.
Be as thou art. Thy settled fate,
Dark as it is, all change would aggravate.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
Install V2Melody
Add a home-screen icon for quicker listening in a simple app window.