Poem fractal

Side by side

Random

0.039 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Gerontion

by T. S. Eliot

−0.2194 + 0.3697i

Drawing the boundary…

When to sad Music silent you listen

by Thomas Moore

−0.1995 + 0.4035i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Gerontion

by T. S. Eliot

           Thou hast nor youth nor age
           But as it were an after dinner sleep
           Dreaming on both.

Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the Jew squats on the window-sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.

                   I an old man,
A dull head among windy spaces.

Signs are taken for wonders. 'We would see a sign!'
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what's thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?

These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White, feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

                  Tenants of the house,
Thoughts of a dry brain in a dry season.

When to sad Music silent you listen

by Thomas Moore

When to sad Music silent you listen,
And tears on those eyelids tremble like dew,
Oh, then there dwells in those eyes as they glisten
A sweet holy charm that mirth never knew.
But when some lively strain resounding
Lights up the sunshine of joy on that brow,
Then the young reindeer o'er the hills bounding
Was ne'er in its mirth so graceful as thou.

When on the skies at midnight thou gazest.
A lustre so pure thy features then wear,
That, when to some star that bright eye thou raisest,
We feel 'tis thy home thou'rt looking for there.
But when the word for the gay dance is given,
So buoyant thy spirit, so heartfelt thy mirth,
Oh then we exclaim, "Ne'er leave earth for heaven,
"But linger still here, to make heaven of earth."

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