Poem fractal

Side by side

Random

0.025 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Sorry Hostess

by Edgar A. Guest

−0.4725 + 0.1634i

Drawing the boundary…

Dover Beach

by Matthew Arnold

−0.4583 + 0.1430i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Sorry Hostess

by Edgar A. Guest

She said she was sorry the weather was bad
The night that she asked us to dine;
And she really appeared inexpressibly sad
Because she had hoped 'twould be fine.
She was sorry to hear that my wife had a cold,
And she almost shed tears over that,
And how sorry she was, she most feelingly told,
That the steam wasn't on in the flat.

She was sorry she hadn't asked others to come,
She might just as well have had eight;
She said she was downcast and terribly glum
Because her dear husband was late.
She apologized then for the home she was in,
For the state of the rugs and the chairs,
For the children who made such a horrible din,
And then for the squeak in the stairs.

When the dinner began she apologized twice
For the olives, because they were small;
She was certain the celery, too, wasn't nice,
And the soup didn't suit her at all.
She was sorry she couldn't get whitefish instead
Of the trout that the fishmonger sent,
But she hoped that we'd manage somehow to be fed,
Though her dinner was not what she meant.

She spoke her regrets for the salad, and then
Explained she was really much hurt,
And begged both our pardons again and again
For serving a skimpy dessert.
She was sorry for this and sorry for that,
Though there really was nothing to blame.
But I thought to myself as I put on my hat,
Perhaps she is sorry we came.

Dover Beach

by Matthew Arnold

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

—
—
0:00
0:00
Track 1
Skip to main content