Poem fractal

Side by side

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0.074 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Windhover

by Gerard Manley Hopkins

−0.5027 + 1.1737i

Drawing the boundary…

Limbo

by Samuel Taylor Coleridge

−0.4286 + 1.1694i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Windhover

by Gerard Manley Hopkins

I caught this morning morning's minion, kingdom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
     
No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermilion.

Limbo

by Samuel Taylor Coleridge

The sole true Something—This! In Limbo's Den
It frightens Ghosts, as here Ghosts frighten men.
Thence cross'd unseiz'd—and shall some fated hour
Be pulveris'd by Demogorgon's power,
And given as poison to annihilate souls—
Even now it shrinks them—they shrink in as Moles
(Nature's mute monks, live mandrakes of the ground)
Creep back from Light—then listen for its sound;—
See but to dread, and dread they know not why—
The natural alien of their negative eye.

'Tis a strange place, this Limbo!— not a Place,
Yet name it so;— where Time and weary Space
Fettered from flight, with night-mare sense of fleeing,
Strive for their last crepuscular half-being;—
Lank Space, and scytheless Time with branny hands
Barren and soundless as the measuring sands,
Not mark'd by flit of Shades,—unmeaning they
As moonlight on the dial of the day!
But that is lovely—looks like Human Time,—
An Old Man with a steady look sublime,
That stops his earthly task to watch the skies;
But he is blind—a Statue hath such eyes;—
Yet having moonward turn'd his face by chance,
Gazes the orb with moon-like countenance,
With scant white hairs, with foretop bald and high,
He gazes still, — his eyeless face all eye;—
As 'twere an organ full of silent sight,
His whole face seemeth to rejoice in light!
Lip touching lip, all moveless, bust and limb—
He seems to gaze at that which seems to gaze on him!
No such sweet sights doth Limbo den immure,
Wall'd round, and made a spirit-jail secure,
By the mere horror of blank Naught-at-all,
Whose circumambience doth these ghosts enthral.
A lurid thought is growthless, dull Privation,
Yet that is but a Purgatory curse;
Hell knows a fear far worse,
A fear—a future state;— 'tis positive Negation!

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