Poem fractal

Side by side

Random

0.053 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

London's Summer Morning (2025)

by Richard

−0.6614 + 0.0770i

Drawing the boundary…

The Island

by A. A. Milne

−0.6114 + 0.0592i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

London's Summer Morning (2025)

by Richard

After Mary Robinson

Who has not stirred to hear the restless hum
Of London waking, bathed in amber light?
The screech of buses, chatter in the streets,
The whoosh of cyclists weaving past in streams,
While neon vests of builders blaze like fire
On scaffolded horizons. At the door,
The courier drops a parcel, scanning codes,
A takeaway bag swinging at his side.

Now coffee machines whirr in glass-fronted shops,
And oat-flat-white seekers queue in droves.
On every corner, fruit stalls gleam with hues—
Mango, dragon fruit, and avocados ripe—
While buskers pluck at strings or drum on tins,
Their rhythms swallowed by the sirens' wail.

Along the pavement, runners pace their miles,
Earbuds humming podcasts, heads downturned.
The underground exhales its gusts of heat,
As screens announce delays in sterile tones.
Through sliding doors, the weary office swarm
Spills out, lattes in hand, as newsfeeds scroll
Across impatient thumbs.

Now sunlit glass ignites the towering spires
Of corporate kingdoms; power-suited ghosts
Glide past graffiti scrawled on shuttered shops.
Food vans perfume the air with scents of spice,
As traders banter over steaming woks.

At dusk, the rooftop gardens glow with life,
Cocktails raised to city skylines, while below,
The pavement poets dream of better days—
And London, ever-changing, hums along.

The Island

by A. A. Milne

If I had a ship,
I'd sail my ship,
I'd sail my ship
Through Eastern seas;
Down to a beach where the slow waves thunder—
The green curls over and the white falls under—
Boom! Boom! Boom!
On the sun-bright sand.
Then I'd leave my ship and I'd land,
And climb the steep white sand,
And climb to the trees,
The six dark trees,
The coco-nut trees on the cliff's green crown—
Hands and knees
To the coco-nut trees,
Face to the cliff as the stones patter down,
Up, up, up, staggering, stumbling,
Round the corner where the rock is crumbling,
Round this shoulder,
Over this boulder,
Up to the top where the six trees stand. . . .

And there would I rest, and lie,
My chin in my hands, and gaze
At the dazzle of sand below,
And the green waves curling slow,
And the grey-blue distant haze
Where the sea goes up to the sky. . . .

And I'd say to myself as I looked so lazily down at the sea:
"There's nobody else in the world, and the world was made for me."

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