Poem fractal

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0.027 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Ode on a Grecian Urn

by John Keats

−0.0639 + 0.3389i

Drawing the boundary…

Love and Satyr

by Thomas d'Urfey

−0.0376 + 0.3345i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Ode on a Grecian Urn

by John Keats

Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty, - ”that is all
Ye know on earth, and all ye need to know."

Love and Satyr

by Thomas d'Urfey

When Phæbus does rise, the Flow'rs raise their Heads,
And charm'd by his Influence, smile o'er the Meads,
When Cælia's bright Eyes with kindness meet mine,
New Hopes and new Raptures, my Joys make divine.
We laugh and we sing, the Hours fly with Pleasure,
Affairs abroad we care not to know,
In Youth at our Leisure,
Loves happy Treasure,
Makes Blessings flow,
Mortally averse to Brawlings of High-Church and Low.

Ye Wits of the Town,
Ye Chiefs of the Gown,
Ye Law-making Sages that flatter the Crown,
How dare you address?
How can you profess?
To honour your Soveraign, yet still make her less,
Whilst Factions reign of Whigg and of Tory,
Your Zeal's a Banter to all Men of Sence;
'Tis Gain moves your Fury,
And not her Glory,
Nor our Defence,
And the solemn Word, Religion, is meerly Pretence.

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