Poem fractal
0.064 apart. A smaller distance means the lines are built more alike.
This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.
−0.3194 + 1.2041i
Drawing the boundary…
−0.3824 + 1.1930i
Drawing the boundary…
Each poem scrolls on its own, so the two texts stay beside each other.
High and smaller goes the moon, she is small and very far from me,
Wistful and candid, watching me wistfully, and I see
Trembling blue in her pallor a tear that surely I have seen before,
A tear which I had hoped that even hell held not again in store.
My heart is open again and sea flows in,
It shall fill with a summer of mists and winds and clouds and waves breaking,
Of gull-wings over the green tide, of the surf's drenching din,
Of sudden horizon-sails that come and vanish, phantom-thin,
Of arching sapphire skies, deep and unaching.
I shall lie on the rocks just over the weeds that drape
The clear sea-pools, where birth and death in sunny ooze are teeming,
Where the crab in quest of booty sidles about, a sullen shape,
Where the snail creeps and the mussel sleeps with wary valves agape,
Where life is too grotesque to be but seeming.
And the swallow shall weave my dreams with threads of flight,
A shuttle with silver breast across the warp of the waves gliding;
And an isle far out shall be a beam in the loom of my delight,
And the pattern of every dream shall be a rapture bathed in light—
Its evanescence a beauty most abiding.
And the sunsets shall give sadness all its due.
They shall stain the sands and trouble the tides with all the ache of sorrow.
They shall bleed and die with a beauty of meaning old yet ever new,
They shall burn with all the hunger for things that hearts have failed to do,
They shall whisper of a gold that none can borrow.
And the stars shall come and build a bridge of fire
For the moon to cross the boundless sea, with never a fear of sinking.
They shall teach me of the magic things of life never to tire,
And how to renew, when it is low, the lamp of my desire—
And how to hope, in the darkest deeps of thinking.
A fractal is a shape that keeps its pattern when you look closer. Coastlines, trees, shells, and weather do this. The large form and the small form are the same kind of thing. A poem can be drawn that way. The shape of the whole comes from the shape of the lines.
Primunia is the name for the source of that order: the pattern under the pattern, already there in a tree, a shell, and a verse.
The number under the picture is the poem constant. It is read from the build of the lines: their length, how uneven they are, the size of the stanzas, the share of vowels, and the way the lines end. A new word moves the number when it changes that build. The same poem always gives the same number.
Drawn on its own, that number sits in a quiet part of the plane, and most poems would look like the same soft disk. So the number is carried outward along its own direction until it meets the edge of the Mandelbrot set, where the shape turns sharp. The picture is the Julia set of that meeting place.
Each point on the canvas is folded again and again by one small rule. Points that stay near the rule form the dark interior. Points that rush away become the coloured bands. The hue comes from the poem constant, and the brightest bands turn toward gold. Change the length of a line, the stanza, or the vowel share, and both the number and the picture move.
Branching draws the poem as a tree. Each turn follows a line, and every smaller branch repeats that pattern. A longer line reaches farther. The letters at the start of a line bend the next turn. A higher share of vowels opens the branches wider.
The trunk takes its colour from the poem constant and warms toward gold at the tips. When the poem has more than one stanza, gold forks leave the trunk. Each fork is a stanza beyond the first, up to three. The tree divides where the poem divides. One stanza remains a single trunk.
Install V2Melody
Add a home-screen icon for quicker listening in a simple app window.