Poem fractal

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0.038 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Michael-Angelo

by D. H. Lawrence

−0.5554 + 0.3047i

Drawing the boundary…

With angel's face and brightness

by George Kirbye

−0.5194 + 0.3155i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Michael-Angelo

by D. H. Lawrence

God shook thy roundness in His finger’s cup,
He sunk His hands in firmness down thy sides,
And drew the circle of His grasp, O Man,
Along thy limbs delighted, thine, His bride’s.

And so thou wert God-shapen: His finger
Curved thy mouth for thee, and His strong shoulder
Planted thee upright: art not proud to see
In the curve of thine exquisite form the joy of the Moulder?

He took a handful of light and rolled a ball,
Compressed it till its beam grew wondrous dark,
Then gave thee thy dark eyes, O Man, that all
He made had doorway to thee through that spark.

God, lonely, put down His mouth in a kiss of creation,
He kissed thee, O Man, in a passion of love, and left
The vivid life of His love in thy mouth and thy nostrils;
Keep then the kiss from the adultress’ theft.

With angel's face and brightness

by George Kirbye

With angel's face and brightness
and orient hue, fair Oriana shining
with nimble foot she tripped
o'er hills and mountains:
At last in dale she rested,
hard by Diana's fountain.
This is that maiden Queen of the fairy land,
with sceptre in her hand.
The Fauns and Satyrs dancing
did show their nimble lightness.
Fair Nais and the Nymphs did leave their bowers,
and brought their baskets full of herbs and flowers.
Then sang the Shepherds and Nymphs of Diana:
Long live fair Oriana!

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