Poem fractal

Side by side

Random

0.105 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Sea and the Skylark

by Gerard Manley Hopkins

−0.7985 + 0.2444i

Drawing the boundary…

This world is not conclusion

by Emily Dickinson

−0.6937 + 0.2337i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Sea and the Skylark

by Gerard Manley Hopkins

On ear and ear two noises too old to end
   Trench—right, the tide that ramps against the shore;
   With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.

Left hand, off land, I hear the lark ascend,
   His rash-fresh re-winded new-skeinèd score
   In crisps of curl off wild winch whirl, and pour
And pelt music, till none's to spill nor spend.

How these two shame this shallow and frail town!
   How ring right out our sordid turbid time,
Being pure! We, life's pride and cared-for crown,

   Have lost that cheer and charm of earth's past prime:
Our make and making break, are breaking, down
    To man's last dust, drain fast towards man's first slime.

This world is not conclusion

by Emily Dickinson

This World is not Conclusion.
A Species stands beyond —
Invisible, as Music —
But positive, as Sound —
It beckons, and it baffles —
Philosophy — don’t know —
And through a Riddle, at the last —
Sagacity, must go —
To guess it, puzzles scholars —
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown —
Faith slips — and laughs, and rallies —
Blushes, if any see —
Plucks at a twig of Evidence —
And asks a Vane, the way —
Much Gesture, from the Pulpit —
Strong Hallelujahs roll —
Narcotics cannot still the Tooth
That nibbles at the soul —

—
—
0:00
0:00
Track 1
Skip to main content