Poem fractal

Side by side

Random

0.022 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Revolutions

by Matthew Arnold

−0.2068 + 0.1270i

Drawing the boundary…

To John Keats, Poet at Spring Time

by Countee Cullen

−0.2207 + 0.1099i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Revolutions

by Matthew Arnold

Before man parted for this earthly strand,
While yet upon the verge of heaven he stood,
God put a heap of letters in his hand,
And bade him make with them what word he could.

And man has turned them many times; made Greece,
Rome, England, France; yes, nor in vain essayed
Way after way, changes that never cease!
The letters have combined, something was made.

But ah! an inextinguishable sense
Haunts him that he has not made what he should;
That he has still, though old, to recommence,
Since he has not yet found the word God would.

And empire after empire, at their height
Of sway, have felt this boding sense come on;
Have felt their huge frames not constructed right,
And drooped, and slowly died upon their throne.

One day, thou say’st, there will at last appear
The word, the order, which God meant should be.
—Ah! we shall know that well when it comes near;
The band will quit man’s heart, he will breathe free.

To John Keats, Poet at Spring Time

by Countee Cullen

I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year's song and next year's bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.

I cannot hold my peace, John Keats,
I am as helpless in the toil
Of Spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
Her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.

And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death's dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.

"John Keats is dead," they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.

—
—
0:00
0:00
Track 1
Skip to main content