Poem fractal

Side by side

Random

0.019 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Domicilium

by Thomas Hardy

−0.5854 + 0.2060i

Drawing the boundary…

The Show

by Wilfred Owen

−0.5679 + 0.1974i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Domicilium

by Thomas Hardy

It faces west, and round the back and sides
High beeches, bending, hang a veil of boughs,
And sweep against the roof. Wild honeysucks
Climb on the walls, and seem to sprout a wish
(If we may fancy wish of trees and plants)
To overtop the apple trees hard-by.

Red roses, lilacs, variegated box
Are there in plenty, and such hardy flowers
As flourish best untrained. Adjoining these
Are herbs and esculents; and farther still
A field; then cottages with trees, and last
The distant hills and sky.

Behind, the scene is wilder. Heath and furze
Are everything that seems to grow and thrive
Upon the uneven ground. A stunted thorn
Stands here and there, indeed; and from a pit
An oak uprises, Springing from a seed
Dropped by some bird a hundred years ago.

                                      In days bygone—
Long gone—my father's mother, who is now
Blest with the blest, would take me out to walk.
At such a time I once inquired of her
How looked the spot when first she settled here.
The answer I remember. 'Fifty years
Have passed since then, my child, and change has marked
The face of all things. Yonder garden-plots
And orchards were uncultivated slopes
O'ergrown with bramble bushes, furze and thorn:
That road a narrow path shut in by ferns,
Which, almost trees, obscured the passers-by.

Our house stood quite alone, and those tall firs
And beeches were not planted. Snakes and efts
Swarmed in the summer days, and nightly bats
Would fly about our bedrooms. Heathcroppers
Lived on the hills, and were our only friends;
So wild it was when we first settled here.'

The Show

by Wilfred Owen

My soul looked down from a vague height with Death,
As unremembering how I rose or why,
And saw a sad land, weak with sweats of dearth,
Gray, cratered like the moon with hollow woe,
And fitted with great pocks and scabs of plaques.

Across its beard, that horror of harsh wire,
There moved thin caterpillars, slowly uncoiled.
It seemed they pushed themselves to be as plugs
Of ditches, where they writhed and shrivelled, killed.

By them had slimy paths been trailed and scraped
Round myriad warts that might be little hills.

From gloom's last dregs these long-strung creatures crept,
And vanished out of dawn down hidden holes.

(And smell came up from those foul openings
As out of mouths, or deep wounds deepening.)

On dithering feet upgathered, more and more,
Brown strings towards strings of gray, with bristling spines,
All migrants from green fields, intent on mire.

Those that were gray, of more abundant spawns,
Ramped on the rest and ate them and were eaten.

I saw their bitten backs curve, loop, and straighten,
I watched those agonies curl, lift, and flatten.

Whereat, in terror what that sight might mean,
I reeled and shivered earthward like a feather.

And Death fell with me, like a deepening moan.
And He, picking a manner of worm, which half had hid
Its bruises in the earth, but crawled no further,
Showed me its feet, the feet of many men,
And the fresh-severed head of it, my head.

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