Poem fractal

Side by side

Random

0.033 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Vagrant

by Mary Webb

−0.4886 + 0.0754i

Drawing the boundary…

Renascence

by D. H. Lawrence

−0.4660 + 0.0995i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Vagrant

by Mary Webb

Who came so close then? —
Brushed the wet lilac into mellow laughter;
Set the smooth blackbird at his golden weaving;
Making no stir at all, no footprint leaving;
Travelling westward, all things following after?

Who whispered secrets? —
Tempted the worm up from her winter hiding
To lie her length in the rain of early summer?
Who cut the leaf-buds open? What new-comer
Told the tall heron the place of her abiding?

Some one has been here:
Not the rough, drunken wind who shouts and wanders,
Trampling the woodpath; neither dawn nor gloaming
Nor the young airs in cowslip-garlands roaming.
Who was it then? The muted spirit ponders.

Close by the water
Wrapt in a dream, I saw a faint reflection
Like a wayfarer, calm and worn of features,
Clad in the brown of leaves and little creatures,
Stern as the moorland, russet of complexion.

Dark in the shadow
Fathomless eyes met mine with thought unspoken,
Wistful, yet deep within them laughter lingered.
With sunburnt hands a wooden flute he fingered
Under the thorn-tree, where the lights are broken.

Then the green river
Dimmed like a misted mirror; blossom only
Whitened it, on the covert water lying.
Westward along the willows ran a sighing.
Herd-like the clouds went home and left me lonely.

Over the meadows
Wild music came like spray upon the shingle;
Piping the world to mating; changing, calling
Low to the heart like doves when rain is falling.
Surely he cut his flute in Calvary's dingle?

I rose and followed
Right to the sunset-bars, yet never found him.
Backward along the edge of night returning
Sadly, I watched the slip of moon upburning
Silver, as if she drank the life around him.

In the dark aspens
Hark! a flute note; so still he's at his playing.
Tawny the furrows lie — his homely vesture.
Labourers pass: I see his very gesture —
Vigorous, tranquil, with his music straying.

Now I know surely
Who set the birds a-fire and touched the grasses —
Silent, without a footprint, no shade throwing.
Infinite worlds his shadow: all things growing
Stir with his breathing, follow as he passes.

Renascence

by D. H. Lawrence

We have bit no forbidden apple,
Eve and I,
Yet the splashes of day and night
Falling round us no longer dapple
The same Eden with purple and white.

This is our own still valley
Our Eden, our home,
But day shows it vivid with feeling
And the pallor of night does not tally
With dark sleep that once covered its ceiling.

My little red heifer, to-night I looked in her eyes,
—She will calve to-morrow:
Last night when I went with the lantern, the sow was grabbing her litter
With red, snarling jaws: and I heard the cries
Of the new-born, and after that, the old owl, then the bats that flitter.

And I woke to the sound of the wood-pigeons, and lay and listened,
Till I could borrow
A few quick beats of a wood-pigeon’s heart, and when I did rise
The morning sun on the shaken iris glistened,
And I saw that home, this valley, was wider than Paradise.

I learned it all from my Eve
This warm, dumb wisdom.
She’s a finer instructress than years;
She has taught my heart-strings to weave
Through the web of all laughter and tears.

And now I see the valley
Fleshed all like me
With feelings that change and quiver:
And all things seem to tally
With something in me,
Something of which she’s the giver.

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