Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Robert Herrick
John Sheffield
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Robert Herrick was born in London on 24 August 1591 and died at Dean Prior in Devon on 15 October 1674. He is remembered as one of the supreme lyric poets of seventeenth-century England: a writer capable of making a four-line epigram feel as complete as a polished jewel, and of making flowers, ribbons, country festivals, kisses, bells, tears, and prayer seem charged with extraordinary significance. His poetry is ofte…
“To read a poem is to hear the voice of the poet speaking across the years.”
John Sheffield, who became the first Duke of Buckingham and Normanby, lived from 8 September 1647 to 24 February 1721, though older records occasionally create uncertainty about dates because of the calendar conventions and genealogical habits of the period. He was a nobleman, naval officer, soldier, courtier, politician, patron, critic, playwright, memoirist, and poet. Such a catalogue of roles can make him seem les…
“I yet dare confidently affirm it to be only that which is vulgarly though unjustly counted none at all, I mean Deism.”
About 3 km separate Cheapside, London, England from London, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Robert Herrick: london, dean prior, george villiers, carpe diem, to the virgins, to make much of time, gather ye rosebuds while ye may, upon a child that died, ben jonson. John Sheffield: first duke of buckingham, naval officer, battle of solebay, order of the garter, essay on satire, an essay upon poetry, restoration england, james duke of york.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Robert Herrick: Longing, Tenderness, Sorrow. John Sheffield: Longing, Tenderness, Sorrow.
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