A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Walter Savage Landor Walter Savage Landor

Poet B

Elizabeth Barrett Browning Elizabeth Barrett Browning
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 67% Poems 86% Blended 76%
Swap sides Another related pair
Walter Savage Landor

Walter Savage Landor

30 January 1775 – 17 September 1864 (~89)
8 live poems · English

Walter Savage Landor was born on 30 January 1775 at Ipsley Court, near Warwick, England, into circumstances of comfort, cultivation, and inherited expectation. His father, Walter Landor, was a physician of substantial means and social standing; his mother, Elizabeth Savage, came from a family whose name and property gave her son the middle name he would make inseparable from his literary identity. Landor’s life, whic…

“My heart is tender. I am fond of children, and of talking childishly.”

Neighbourhood: Death & Mortality, Love Poets, Mystical & Spiritual Poets, Romantic Poets, Victorian Poets
Emotional landscape: Sorrow, Longing, Despair
Elizabeth Barrett Browning

Elizabeth Barrett Browning

6 March 1806 – 29 June 1861 (~55)
2 live poems · English

Elizabeth Barrett Browning was born on March 6, 1806, at Coxhoe Hall in County Durham, England, the eldest of twelve children to Edward Barrett Moulton Barrett and Mary Graham Clarke. Her arrival marked the first in her family born in England in over two centuries, as the Barrett fortune stemmed from vast sugar plantations in Jamaica. The family soon moved to Hope End, a sprawling estate near Ledbury in Herefordshire…

“I seem to live while I write—it is life, for me.”

Neighbourhood: Love Poets, Political Poets, Victorian Poets, Women Poets
Emotional landscape: Spirituality, Longing, Tenderness

In time

Walter Savage Landor
Elizabeth Barrett Browning
1775 1864
They overlapped for 56 years (1806–1861). When Elizabeth Barrett Browning was born, Walter Savage Landor was about 31. Walter Savage Landor was about 86 when Elizabeth Barrett Browning died.

On the map

About 261 km separate Warwick, England from Durham, England. Both have ground in Florence.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

florence social

Walter Savage Landor: ipsley court, warwick, florence, gebir, julia thuillier, imaginary conversations, trinity college, oxford. Elizabeth Barrett Browning: county durham, hope end, the battle of marathon, the seraphim and other poems, the cry of the children, robert browning, sonnets from the portuguese, aurora leigh.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Loves
Walter Savage Landor
79% love
Compare
How Do I Love Thee?
Elizabeth Barrett Browning
The Maid’s Lament
Walter Savage Landor
78% grief, death, life
Compare
The Prospect
Elizabeth Barrett Browning
The Lover
Walter Savage Landor
77% love
Compare
How Do I Love Thee?
Elizabeth Barrett Browning
She I love (alas in vain!)
Walter Savage Landor
77% love
Compare
How Do I Love Thee?
Elizabeth Barrett Browning
The Maid’s Lament
Walter Savage Landor
74% love
Compare
How Do I Love Thee?
Elizabeth Barrett Browning
Age
Walter Savage Landor
74%
Compare
How Do I Love Thee?
Elizabeth Barrett Browning

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Walter Savage Landor: Sorrow, Longing, Despair. Elizabeth Barrett Browning: Spirituality, Longing, Tenderness.

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