John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
Compare Poets
Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Poet A
John Farmer
Poet B
Thomas Morley
Compare two related contemporaries
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 76%
Blended 76%
Swap sides
Another related pair
In the golden twilight of Elizabeth I's reign, when England's cultural confidence soared as high as her naval ambitions, there emerged a composer whose melodies would capture the very essence of Renaissance joy and melancholy. Thomas Morley, born around 1557 in the bustling city of Norwich, would become the architect of England's madrigal tradition and one of the most influential musicians of his generation. His life…
“If therefore you will compose in this kind, you must possess yourself with an amorous humour (for in no composition shall you prove admirable except you put on and possess yourself wholly with that vein wherein you compose).”
In time
John Farmer
Thomas Morley
1557
1605
They overlapped for 33 years (1570–1602).
When John Farmer was born, Thomas Morley was about 13.
John Farmer was about 32 when Thomas Morley died.
On the map
About 158 km separate London, England from Norwich, England. Both have ground in London.
Thomas Morley
Themes they return to
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Shared
From the biographies
music
madrigals
composer
John Farmer: english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre. Thomas Morley: norwich, william byrd, canzonets to three voices, madrigals to four voices, april is in my mistress' face, balletts to five voices, now is the month of maying, st. paul's cathedral.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
The world around them
While their lives overlapped
Notable events from the years they were both alive.
1595
Execution at Tyburn
John Farmer
1602
Relocation to London
Thomas Morley
1588
Relocation to London
Emotional landscapes
John Farmer: Tenderness, Joy, Longing. Thomas Morley: Sensuality, Irony, Joy.