Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Felicia Dorothea Hemans
Edna St. Vincent Millay
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Felicia Dorothea Hemans, born Felicia Dorothea Browne on 25 September 1793 and dead on 16 May 1835, was among the most celebrated poets of the early nineteenth century. In her lifetime she was read with an enthusiasm now difficult to imagine: her poems circulated throughout Britain, Ireland, the United States, and the British Empire; they appeared in annuals, schoolbooks, anthologies, newspapers, and domestic parlors…
“O how many deaths there are in the world for the affections!”
Edna St. Vincent Millay was born on 22 February 1892 in Rockland, Maine, and died on 19 October 1950 at her home in Austerlitz, New York. During her lifetime she became one of the most visible and commercially successful poets in the United States: a Pulitzer Prize winner, a celebrated public reader, a playwright, a lyricist, a political writer, and an emblem of the modern, sexually independent “New Woman.” Her fame…
“The poet is not a man who says what he thinks, but a man who says what he feels.”
About 4,780 km separate Liverpool, England from Rockland, Maine, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Felicia Dorothea Hemans: liverpool, gwrych, abergele, casabianca, the forest sanctuary, modern greece, the sceptic, dartmoor prison. Edna St. Vincent Millay: rockland, maine, austerlitz, new york, pulitzer prize, renascence, caroline b. dow, vassar college, greenwich village, a few figs from thistles.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Felicia Dorothea Hemans: Longing, Tenderness, Sorrow. Edna St. Vincent Millay: Longing, Sorrow, Despair.
Compare their emotional landscapesInstall V2Melody
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