A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Elinor Wylie Elinor Wylie

Poet B

Nora Hopper Chesson Nora Hopper Chesson
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Poems 89% Blended 81%
Swap sides Another related pair
Elinor Wylie

Elinor Wylie

7 September 1885 – 16 December 1928 (~43)
3 live poems · English

Elinor Wylie, born Elinor Morton Hoyt on 7 September 1885 in Somerville, New Jersey, belonged to an American generation that inherited Victorian social codes yet came of age amid modernism, women’s expanding public ambitions, war, cosmopolitan travel, and changing ideas of artistic freedom. She would become known as one of the most distinctive lyric poets of the 1920s: a writer of polished, compressed, often formally…

“Don't let this kill you. I have run away.”

Neighbourhood: American Poets, Confessional Poets, Edwardian Poets, Modernist Poets, Women Poets
Emotional landscape: Wonder, Irony, Joy
Nora Hopper Chesson

Nora Hopper Chesson

2 January 1871 – 14 April 1906 (~35)
79 live poems · English

Nora Hopper Chesson, born Nora Hopper on 2 January 1871 in Exeter, England, and dead on 14 April 1906, belongs to that compelling company of poets whose work has remained more vivid than their public reputation. Her life was brief, her published oeuvre relatively small, and the surviving record of her private circumstances incomplete. Yet the poems she left behind possess a distinctive pressure and atmosphere: they a…

“Let us refrain from giving away either bread or salt all the day through, lest we give away our luck.”

Neighbourhood: Irish Poets, Pre-Raphaelite Poets, Symbolist Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness

In time

Elinor Wylie
Nora Hopper Chesson
1871 1928
They overlapped for 22 years (1885–1906). When Elinor Wylie was born, Nora Hopper Chesson was about 14. Elinor Wylie was about 21 when Nora Hopper Chesson died.

On the map

About 5,420 km separate Somerville, New Jersey, USA from Exeter, Devon, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Elinor Wylie: somerville, new jersey, nets to catch the wind, velvet shoes, wild peaches, black armour, horace wylie, philip hichborn. Nora Hopper Chesson: exeter, irish literary revival, under quicken boughs, celtic legend, wilfrid hugh chesson, fin de siècle, decadence, folk revival.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Now Let No Charitable Hope
Elinor Wylie
80% life
Compare
Gypsy Song
Nora Hopper Chesson
Nonsense Rhyme
Elinor Wylie
79%
Compare
The Faery Fool
Nora Hopper Chesson
Velvet Shoes
Elinor Wylie
78% silence
Compare
May Eve
Nora Hopper Chesson
Now Let No Charitable Hope
Elinor Wylie
78%
Compare
Fire and Snow
Nora Hopper Chesson
Now Let No Charitable Hope
Elinor Wylie
77%
Compare
The Faery Fool
Nora Hopper Chesson
Nonsense Rhyme
Elinor Wylie
77% life
Compare
Gypsy Song
Nora Hopper Chesson

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Elinor Wylie: Wonder, Irony, Joy. Nora Hopper Chesson: Longing, Sorrow, Tenderness.

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