A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Charlotte Smith Charlotte Smith

Poet B

Anne Bradstreet Anne Bradstreet
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 77% Poems 85% Blended 80%
Swap sides Another related pair
Charlotte Smith

Charlotte Smith

4 May 1749 – 28 October 1806 (~57)
7 live poems · English

Charlotte Smith was born Charlotte Turner in London on 4 May 1749 and died at Tilford, near Farnham in Surrey, on 28 October 1806. During her lifetime she was known not only as a poet but as one of the most productive and commercially important writers in Britain. She published poetry, novels, children’s books, translations, and educational works while sustaining a large family and enduring a marriage, a debt crisis,…

“The greater part of the following poems were written during a period of considerable difficulty and distress.”

Neighbourhood: Love Poets, Nature Poets, Political Poets, Romantic Poets, Women Poets
Emotional landscape: Sorrow, Despair, Longing
Anne Bradstreet

Anne Bradstreet

1612 – 16 September 1672 (~60)
5 live poems · English

Anne Bradstreet was born Anne Dudley in 1612 in Northampton, England, into a family unusually well positioned to cultivate both religious seriousness and intellectual ambition. Her precise birth date is uncertain, though she was baptized on March 20, 1612. She entered the world during the reign of James I, in an England defined by political conflict, religious controversy, expanding trade, and the vigorous literary a…

“Sweet words are like honey, a little may refresh, but too much gluts the stomach.”

Neighbourhood: American Poets, Colonial American Poets, Devotional Poets, Restoration Poets, Women Poets
Emotional landscape: Longing, Spirituality, Sorrow

In time

Charlotte Smith
Anne Bradstreet
1612 1806
Their lives did not overlap. 77 years separate the earlier death from the later birth.

On the map

About 346 km separate Stoke next Guildford, Surrey, England from Northumbria, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

woman

Charlotte Smith: london, elegiac sonnets, the old manor house, the emigrants, nicholas turner, benjamin smith, french revolution, georgian england. Anne Bradstreet: northampton, puritan, the tenth muse, simon bradstreet, the prologue, john winthrop, emmanuel college, the four monarchies.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

To the Muse
Charlotte Smith
76%
Compare
Before the Birth of one of her Children
Anne Bradstreet

The world around them

Emotional landscapes

Charlotte Smith: Sorrow, Despair, Longing. Anne Bradstreet: Longing, Spirituality, Sorrow.

Skip to main content