Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Charlotte Smith
Edna St. Vincent Millay
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Charlotte Smith was born Charlotte Turner in London on 4 May 1749 and died at Tilford, near Farnham in Surrey, on 28 October 1806. During her lifetime she was known not only as a poet but as one of the most productive and commercially important writers in Britain. She published poetry, novels, children’s books, translations, and educational works while sustaining a large family and enduring a marriage, a debt crisis,…
“The sonnet is perhaps the most difficult species of poetry.”
Edna St. Vincent Millay was born on 22 February 1892 in Rockland, Maine, and died on 19 October 1950 at her home in Austerlitz, New York. During her lifetime she became one of the most visible and commercially successful poets in the United States: a Pulitzer Prize winner, a celebrated public reader, a playwright, a lyricist, a political writer, and an emblem of the modern, sexually independent “New Woman.” Her fame…
“Life isn't one damn thing after another. It's the same damn thing again and again.”
About 5,006 km separate Stoke next Guildford, Surrey, England from Rockland, Maine, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Charlotte Smith: london, elegiac sonnets, the old manor house, the emigrants, nicholas turner, benjamin smith, french revolution, georgian england. Edna St. Vincent Millay: rockland, maine, austerlitz, new york, pulitzer prize, renascence, caroline b. dow, vassar college, greenwich village, a few figs from thistles.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Charlotte Smith: Sorrow, Despair, Longing. Edna St. Vincent Millay: Longing, Sorrow, Despair.
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