Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
William Browne of Tavistock, born about 1588 and traditionally thought to have died about 1650, is one of the most attractive and elusive figures in early seventeenth-century English poetry. He was not a major public presence on the scale of Ben Jonson, John Donne, or George Wither, nor did he leave behind the unusually full documentary record that allows historians to reconstruct the lives of some contemporaries. Ye…
“In my poor cell and sequestration from all business, I bless God and pray for more such members in the Commonwealth.”
Neighbourhood:
Elizabethan Poets, Love Poets, Nature Poets, Renaissance Poets
In the sun-dappled fields and ancient cathedral shadows of Kent, England, around the year 1553 or 1554, a boy named John Lyly entered the world. He would grow to become one of the most dazzling literary innovators of the Elizabethan age, a wordsmith whose elegant prose and witty comedies lit up the courts of Queen Elizabeth I and helped shape the very foundations of English drama and fiction. Though his birth date is…
“The wound that bleedeth inward is not easily cured.”
Neighbourhood:
Elizabethan Poets, Love Poets, Renaissance Poets
They overlapped for 19 years (1588–1606).
When William Browne, of Tavistock was born, John Lyly was about 34.
William Browne, of Tavistock was about 18 when John Lyly died.
William Browne, of Tavistock:
devonshire, britannia's pastorals, the shepherd's pipe, george wither, exeter college, inner temple, pastoral writing, classical pastoral.
John Lyly:
canterbury cathedral, euphues, euphues and his england, queen elizabeth i, blackfriars theatre, campaspe, sapho and phao, gallathea.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
