Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Stephen Hawes, born about 1474 and probably dead by about 1523, occupies a fascinating and sometimes awkward place in English literary history. He is neither a major medieval master on the scale of Geoffrey Chaucer nor a fully developed Renaissance poet in the manner of later Tudor writers. Yet this apparent in-betweenness is precisely what makes him important. Hawes wrote at a moment when England was emerging from t…
Few composers in Western music history have lived through as much upheaval, as many transformations of faith and state, as Thomas Tallis—born around 1505 in Kent, England, and buried in 1585 in the quiet churchyard of St. Mary-at-Horn, London. To speak of Tallis is to speak of survival: not merely the survival of a man through plague, political intrigue, and religious civil war, but the survival of sacred music itsel…
Stephen Hawes:
henry vii, the pastime of pleasure, a joyfull meditation to all england, groom of the chamber, wars of the roses, courtly milieu, allegory, graunde amoure.
Thomas Tallis:
st. mary-at-horn, henry viii, edward vi, mary i, elizabeth i, waltham abbey, preces and responses, if ye love me.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.