Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Richard Allison, born about 1570 and believed to have died about 1615, occupies a modest but revealing place in the cultural history of late Elizabethan and early Jacobean England. He was principally a composer, singer, and player of stringed instruments, yet his surviving publications also make him important to the history of English devotional verse, religious controversy, and domestic music-making. Allison did not…
William Corkine, born about 1580 and apparently dead by about 1620, belongs to that compelling class of Renaissance artists whose surviving work is far more substantial than the surviving account of their lives. No secure baptismal record has been identified for him, no portrait can confidently be attached to his name, and the documents that might reveal his parents, teachers, marriage, household, or final illness ha…
They overlapped for 36 years (1580–1615).
When William Corkine was born, Richard Allison was about 10.
William Corkine was about 35 when Richard Allison died.
Richard Allison:
late elizabethan, early jacobean, countess of warwick, sir john scudamore, the psalmes of david in meter, a plaine confutation of a treatise of brownisme, protestant devotional culture, musical training.
William Corkine:
elizabethan period, jacobean court, ayres, the second booke of ayres, the third and last booke of ayres, lutenist, composer, bass viol.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.