Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Franklin P. Adams
Louis Untermeyer
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Franklin Pierce Adams, known almost everywhere in print by the compact and memorable signature “F. P. A.,” was born in Chicago, Illinois, on 15 November 1881, and died in New York City on 23 March 1960. During the first half of the twentieth century, he became one of America’s most recognizable newspaper humorists, a poet of urbane light verse, an editor, anthologist, critic, and central presence in the literary soci…
“To err is human; to forgive, infrequent.”
In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…
“It is the non-conformers, the innovators in art, science, technology, and human relations who, misunderstood and ridiculed in their own times, have shaped our world.”
About 1,144 km separate Chicago, Illinois, USA from New York City, New York, USA. Both have ground in New York City and New York.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Franklin P. Adams: chicago, new york city, f. p. a., baseball's sad lexicon, the conning tower, algonquin round table, in cupid's court, tobogganing on parnassus. Louis Untermeyer: new york city, newtown, connecticut, modern american poetry, harriet monroe, ezra pound, t.s. eliot, carl sandburg, robert frost.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Franklin P. Adams: Irony, Longing, Sorrow. Louis Untermeyer: Despair, Sorrow, Longing.
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