Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Fiona Macleod
Charles Mackay
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Fiona Macleod, whose published life ran from 12 September 1855 to 12 December 1905, was the most celebrated and perplexing literary identity created by the Scottish writer William Sharp. To call Fiona merely Sharp’s pseudonym, though factually necessary, is insufficient. She was a sustained artistic persona, a voice with its own apparent temperament, correspondence, friendships, themes, and public reputation. Through…
“The soul has its own ears to hear things the mind does not understand.”
Charles Mackay was born in Perth, Scotland, on 27 March 1814, and died in London on 24 December 1889. During a long and unusually various career, he became known as a poet, songwriter, editor, journalist, historian of London, commentator on social life, and author of one of the nineteenth century’s most durable books of cultural psychology, Extraordinary Popular Delusions and the Madness of Crowds. He was never quite…
“The history of the world is but the history of the human mind, and the history of the human mind is but the history of its errors and its follies.”
About 87 km separate Paisley, Scotland from Perth, Scotland. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Fiona Macleod: scottish, celtic revival, pharais, the mountain lovers, the sin-eater, from the hills of dream, william sharp, bessie sharp. Charles Mackay: perth, extraordinary popular delusions, the madness of crowds, cheer boys cheer, the good time coming, morning chronicle, glasgow argus, victorian man of letters.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Fiona Macleod: Spirituality, Longing, Wonder. Charles Mackay: Longing, Joy, Peace.
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