Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Fiona Macleod
John Gould Fletcher
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Fiona Macleod, whose published life ran from 12 September 1855 to 12 December 1905, was the most celebrated and perplexing literary identity created by the Scottish writer William Sharp. To call Fiona merely Sharp’s pseudonym, though factually necessary, is insufficient. She was a sustained artistic persona, a voice with its own apparent temperament, correspondence, friendships, themes, and public reputation. Through…
“The Celt is a dreamer, but he is also a mystic.”
In the pantheon of American poetry, few figures embody the restless spirit of early twentieth-century modernism quite like John Gould Fletcher. Born into the genteel society of Little Rock, Arkansas, on January 3, 1886, Fletcher would traverse continents and literary movements, ultimately crafting a body of work that bridged the gap between traditional American verse and the revolutionary experiments of European mode…
“It is time to create something new. It is time to strip poetry of meaningless tatters of form, and to clothe her in new, suitable garments.”
About 6,754 km separate Paisley, Scotland from Little Rock, Arkansas, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Fiona Macleod: scottish, celtic revival, pharais, the mountain lovers, the sin-eater, from the hills of dream, william sharp, bessie sharp. John Gould Fletcher: little rock, arkansas river valley, ezra pound, imagist movement, irradiations: sand and spray, blue symphony, goblins and pagodas, the tree of life.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Fiona Macleod: Spirituality, Longing, Wonder. John Gould Fletcher: Sorrow, Longing, Despair.
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