A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Fiona Macleod Fiona Macleod

Poet B

Orrick Johns Orrick Johns
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 52% Poems 79% Blended 64%
Swap sides Another related pair
Fiona Macleod

Fiona Macleod

12 September 1855 – 12 December 1905 (~50)
5 live poems · English

Fiona Macleod, whose published life ran from 12 September 1855 to 12 December 1905, was the most celebrated and perplexing literary identity created by the Scottish writer William Sharp. To call Fiona merely Sharp’s pseudonym, though factually necessary, is insufficient. She was a sustained artistic persona, a voice with its own apparent temperament, correspondence, friendships, themes, and public reputation. Through…

“The silence of the hills is the voice of God.”

Neighbourhood: Death & Mortality, Decadent Poets, Devotional Poets, Mystical & Spiritual Poets, Nature Poets, Scottish Poets, Symbolist Poets
Emotional landscape: Spirituality, Longing, Wonder
Orrick Johns

Orrick Johns

2 June 1887 – 8 July 1946 (~59)
2 live poems · English

Orrick Glenday Johns occupies a curious and fascinating position in American literary history. He was neither fully absorbed into the canon of the great modernists nor forgotten entirely by literary historians. Instead, he stands at the threshold between the nineteenth-century poetic tradition and the restless experimentation of the early twentieth century. His life and work reflect a moment of transition in American…

Neighbourhood: American Poets, Imagist Poets, Modernist Poets, Political Poets, Social Justice Poets
Emotional landscape: Sorrow, Despair, Irony

In time

Fiona Macleod
Orrick Johns
1855 1946
They overlapped for 19 years (1887–1905). When Orrick Johns was born, Fiona Macleod was about 32. Orrick Johns was about 18 when Fiona Macleod died.

On the map

About 5,771 km separate Paisley, Scotland from Sturgis, Michigan, USA. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Fiona Macleod: scottish, celtic revival, pharais, the mountain lovers, the sin-eater, from the hills of dream, william sharp, bessie sharp. Orrick Johns: sturgis, michigan, asphalt and other poems, university of michigan, romantic tradition, lyric sensitivity, modern urban life, philosophical reflection, nineteenth-century tradition.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Last Fay
Fiona Macleod
73% world
Compare
The Mad Woman
Orrick Johns
The Lonely Hunter
Fiona Macleod
72% death, world, life
Compare
The Mad Woman
Orrick Johns
At the Last
Fiona Macleod
71%
Compare
The Mad Woman
Orrick Johns
The Rune of the Four Winds
Fiona Macleod
70% world, life
Compare
The Mad Woman
Orrick Johns
The Valley of Silence
Fiona Macleod
70%
Compare
The Mad Woman
Orrick Johns
The Rune of the Four Winds
Fiona Macleod
62%
Compare
Politicians
Orrick Johns

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Fiona Macleod: Spirituality, Longing, Wonder. Orrick Johns: Sorrow, Despair, Irony.

Skip to main content