Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Amy Levy
Edna St. Vincent Millay
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Amy Judith Levy was born in Clapham, south London, on 10 November 1861, and died in London on 10 September 1889. In fewer than twenty-eight years she became one of the most distinctive writers of the late Victorian period: a poet of compressed feeling and formal intelligence, a novelist of urban and communal life, an essayist alert to women’s changing circumstances, and a figure of unusual importance in the histories…
“She is not a poet of nature, in the ordinary sense of the term.”
Edna St. Vincent Millay was born on 22 February 1892 in Rockland, Maine, and died on 19 October 1950 at her home in Austerlitz, New York. During her lifetime she became one of the most visible and commercially successful poets in the United States: a Pulitzer Prize winner, a celebrated public reader, a playwright, a lyricist, a political writer, and an emblem of the modern, sexually independent “New Woman.” Her fame…
“A person who publishes a book appears willfully in public, and cannot expect to be treated as if he were a private individual.”
About 5,023 km separate Clapham, London, England from Rockland, Maine, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Amy Levy: clapham, anglo-jewish writing, feminist literature, queer literary culture, xantippe and other verse, a minor poet and other verse, newnham college, the romance of a shop. Edna St. Vincent Millay: rockland, maine, austerlitz, new york, pulitzer prize, renascence, caroline b. dow, vassar college, greenwich village, a few figs from thistles.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Amy Levy: Tenderness, Longing, Sorrow. Edna St. Vincent Millay: Longing, Sorrow, Despair.
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