Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edith M. Thomas
Adelaide Crapsey
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Edith Matilda Thomas was born on 12 August 1854 in Chatham, Ohio, and died on 13 September 1925 in New York City. During her lifetime she was admired as one of the most accomplished American lyric poets of the late nineteenth century, praised by editors, fellow writers, and readers for verse that joined close observation of nature to emotional reserve, formal intelligence, and a searching spiritual imagination. Yet s…
“Hopeless visionary, am I not?”
In the autumn of 1914, as the Great War began tearing Europe apart, a young American poet lay dying in a sanatorium in Saranac Lake, New York. Adelaide Crapsey was only thirty-six years old, and though she had published little during her lifetime, she had invented a new poetic form that would outlive her by generations. The cinquain, her creation, distilled the essence of imagist poetry into five crystalline lines, e…
“I'm so off on cinquains. I think they're quite lovely. They're so brief.”
About 821 km separate Chatham, Ohio, USA from Saranac Lake, New York, USA. Both have ground in New York.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Edith M. Thomas: chatham, ohio, new york city, helen hunt jackson, a new year's masque, the inverted torch, lyrics and sonnets, northeastern ohio, romantic poetry. Adelaide Crapsey: saranac lake, cinquain, imagist poetry, algernon sidney crapsey, vassar college, smith college, november night, the warning.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Edith M. Thomas: Sorrow, Longing, Despair. Adelaide Crapsey: Sorrow, Despair, Wonder.
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