A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Marjorie L. C. Pickthall Marjorie L. C. Pickthall

Poet B

Mary Monck Mary Monck
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 76% Blended 76%
Swap sides Another related pair
Marjorie L. C. Pickthall

Marjorie L. C. Pickthall

14 September 1883 – 22 April 1922 (~39)
2 live poems · English

Marjorie Lowry Christie Pickthall was born on 14 September 1883 at Gunnersbury, then in Middlesex, England, and died on 22 April 1922 in Vancouver, British Columbia. During her lifetime she was among the best-known and most admired poets in Canada, a writer whose delicately fashioned lyrics, religious imagination, and exact attention to the natural world won readers on both sides of the Atlantic. Her posthumous reput…

“Being a poet in the present state of the market is like saying How is your hare-lip today?”

Neighbourhood: Devotional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Peace, Tenderness, Wonder
Mary Monck

Mary Monck

c. 1677 – 1715 (~38)
1 live poem · English

Mary Monck, born Mary Molesworth about 1677 and dead in 1715, belongs to that important company of early modern women poets whose achievement was more substantial than their later reputation long allowed. She wrote at the meeting point of Restoration wit, Augustan order, religious meditation, private elegy, and the expanding culture of literary translation. Her surviving work is not vast, and its circumstances of pre…

Neighbourhood: Devotional Poets, Irish Poets, Love Poets, Restoration Poets, Women Poets
Emotional landscape: Sorrow, Tenderness, Longing

In time

Marjorie L. C. Pickthall
Mary Monck
1677 1922
Their lives did not overlap. 168 years separate the earlier death from the later birth.

On the map

About 455 km separate Gunnersbury, Middlesex, England from Dublin, Ireland. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

women woman social

Marjorie L. C. Pickthall: gunnersbury, vancouver, two ears of corn, the drift of pinions, charles g. d. roberts, canadian poets, victorian aestheticism, catholic church. Mary Monck: anglo-irish society, robert molesworth, letitia coote, george monck, verses wrote on her death-bed at bath, restoration wit, augustan order, literary translation.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

I Sat Among the Green Leaves
Marjorie L. C. Pickthall
76% life, love
Compare
Verses Written on her Death-Bed at Bath
Mary Monck
The Sea Witch
Marjorie L. C. Pickthall
67% life
Compare
Verses Written on her Death-Bed at Bath
Mary Monck

The world around them

Emotional landscapes

Marjorie L. C. Pickthall: Peace, Tenderness, Wonder. Mary Monck: Sorrow, Tenderness, Longing.

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