Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edward Lear
Felicia Dorothea Hemans
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Edward Lear was born on 12 May 1812 at Holloway, then a semi-rural northern suburb of London, and died at San Remo, Italy, on 29 January 1888. He is now cherished as one of the great makers of English literary nonsense: the author of “The Owl and the Pussycat,” “The Jumblies,” “The Dong with a Luminous Nose,” and hundreds of limericks populated by improbable old persons, birds, cats, Quangle Wangles, and creatures wh…
“Nonsense is the breath of my nostrils.”
Felicia Dorothea Hemans, born Felicia Dorothea Browne on 25 September 1793 and dead on 16 May 1835, was among the most celebrated poets of the early nineteenth century. In her lifetime she was read with an enthusiasm now difficult to imagine: her poems circulated throughout Britain, Ireland, the United States, and the British Empire; they appeared in annuals, schoolbooks, anthologies, newspapers, and domestic parlors…
“I begin almost to shudder at my own presumption, and should be much more anxiously occupied in searching for any outlet of escape than in attempting to overcome the difficulties before me.”
About 279 km separate Holloway, London, England from Liverpool, England. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Edward Lear: san remo, the owl and the pussycat, the jumblies, the dong with a luminous nose, nonsense poetry, chichester fortescue, franklin lushington, illustrations of the family of psittacidae. Felicia Dorothea Hemans: liverpool, gwrych, abergele, casabianca, the forest sanctuary, modern greece, the sceptic, dartmoor prison.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Edward Lear: Wonder, Joy, Peace. Felicia Dorothea Hemans: Longing, Tenderness, Sorrow.
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