Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edward Lear
Ivan Krylov
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Edward Lear was born on 12 May 1812 at Holloway, then a semi-rural northern suburb of London, and died at San Remo, Italy, on 29 January 1888. He is now cherished as one of the great makers of English literary nonsense: the author of “The Owl and the Pussycat,” “The Jumblies,” “The Dong with a Luminous Nose,” and hundreds of limericks populated by improbable old persons, birds, cats, Quangle Wangles, and creatures wh…
“I am very fond of children, but I do not like their parents.”
Ivan Andreyevich Krylov, born on 13 February 1769 and dead on 21 November 1844, occupies a singular place in Russian literature: he is at once a classic author taught to children, a master satirist quoted by politicians and journalists, and a poet whose compact animal tales preserve an unusually sharp view of human weakness. To call him merely “the Russian Aesop,” as generations of readers have done, is useful but in…
“Have I not grown old-fashioned by now, have I not lost my strength?”
About 2,498 km separate Holloway, London, England from Moscow, Russia. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Edward Lear: san remo, the owl and the pussycat, the jumblies, the dong with a luminous nose, nonsense poetry, chichester fortescue, franklin lushington, illustrations of the family of psittacidae. Ivan Krylov: moscow, tver, catherine ii, pugachev rebellion, ivan krylov's fables, the coffeehouse, the fashion shop, a lesson to daughters.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Edward Lear: Wonder, Joy, Peace. Ivan Krylov: Sorrow, Irony, Longing.
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