Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edward Lear
Henry Carey
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Edward Lear was born on 12 May 1812 at Holloway, then a semi-rural northern suburb of London, and died at San Remo, Italy, on 29 January 1888. He is now cherished as one of the great makers of English literary nonsense: the author of “The Owl and the Pussycat,” “The Jumblies,” “The Dong with a Luminous Nose,” and hundreds of limericks populated by improbable old persons, birds, cats, Quangle Wangles, and creatures wh…
“I am a great lover of nonsense.”
Henry Carey, poet, songwriter, composer, dramatist, performer, and irrepressible satirist, was born about 26 August 1687 and died on 5 October 1743. He belonged to that unusually fertile and unruly generation of English writers who worked in the crowded space between coffeehouse wit, commercial theater, political controversy, popular song, and the new culture of print. His name is not as immediately familiar as those…
“The real occasion was this: a shoemaker's 'prentice making holiday with his sweetheart, treated her with a sight of Bedlam, the puppet-shows, the flying-chairs, and all the elegancies of Moorfields.”
About 283 km separate Holloway, London, England from Yorkshire, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Edward Lear: san remo, the owl and the pussycat, the jumblies, the dong with a luminous nose, nonsense poetry, chichester fortescue, franklin lushington, illustrations of the family of psittacidae. Henry Carey: sally in our alley, namby-pamby, george savile, drury lane, georgian britain, political satire, robert harley, music composition.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Edward Lear: Wonder, Joy, Peace. Henry Carey: Joy, Sensuality, Tenderness.
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