A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Isobel Pagan Isobel Pagan

Poet B

Amelia Alderson Opie Amelia Alderson Opie
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 67% Poems 89% Blended 77%
Swap sides Another related pair
Isobel Pagan

Isobel Pagan

c. 1740 – 3 November 1821 (~81)
3 live poems · English

Isobel Pagan, known in her own district as Tibbie Pagan, was born about 1740, probably near Nithhead in the parish of New Cumnock, Ayrshire, and died at Muirkirk on 3 November 1821. Her dates alone suggest a life that crossed extraordinary changes in Scottish society: she was born before the great age of Robert Burns, lived through the American and French Revolutions, witnessed the expansion of mining and ironworking…

“Was not that great nonsense?”

Neighbourhood: Folk & Ballad Poets, Romantic Poets, Scottish Poets, Women Poets
Emotional landscape: Longing, Tenderness, Sorrow
Amelia Alderson Opie

Amelia Alderson Opie

12 November 1769 – 2 December 1853 (~84)
19 live poems · English

Amelia Alderson Opie entered the world on a crisp November day in 1769, born into the bustling heart of Norwich, that ancient cathedral city pulsing with intellectual and radical energy. The only child of Dr. James Alderson, a respected physician known for his generosity to the poor and his progressive views, and his wife Amelia Briggs, she arrived on November 12, destined to weave her own vibrant thread into the tap…

“How I wish I were, what I am not, and fear I never may be, weaned from the pleasures of this life, and given only to preparation for another!”

Neighbourhood: Love Poets, Political Poets, Romantic Poets, Women Poets
Emotional landscape: Longing, Tenderness, Sorrow

In time

Isobel Pagan
Amelia Alderson Opie
1740 1853
They overlapped for 53 years (1769–1821). When Amelia Alderson Opie was born, Isobel Pagan was about 29. Amelia Alderson Opie was about 52 when Isobel Pagan died.

On the map

About 474 km separate Near Nith-head, New Cumnock, Ayrshire, Scotland from Norwich, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

woman

Isobel Pagan: nithhead, new cumnock, muirkirk, scottish vernacular song, account of the author's lifetime, the spinning wheel, ca' the yowes to the knowes, robert burns. Amelia Alderson Opie: norwich, john opie, william godwin, mary wollstonecraft, the dangers of coquetry, the father and daughter, adelaide, adeline mowbray.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

A Love Letter
Isobel Pagan
83% love, beloved, social, voice
Compare
The Voice of Him I Love
Amelia Alderson Opie
Lingering Lazy Johnny
Isobel Pagan
83% love, self, romantic, sorrow
Compare
Let Not Sorrow Cloud Thy Brow
Amelia Alderson Opie
A Love Letter
Isobel Pagan
81% love, beloved, social, self
Compare
Go, Youth Beloved, in Distant Glades
Amelia Alderson Opie
Lingering Lazy Johnny
Isobel Pagan
81% love, self, romantic
Compare
Go, Youth Beloved, in Distant Glades
Amelia Alderson Opie
A Love Letter
Isobel Pagan
81% love
Compare
Why Bid My Trembling Lips Explain
Amelia Alderson Opie
A Love Letter
Isobel Pagan
80% love, self
Compare
Let Not Sorrow Cloud Thy Brow
Amelia Alderson Opie

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Isobel Pagan: Longing, Tenderness, Sorrow. Amelia Alderson Opie: Longing, Tenderness, Sorrow.

Skip to main content