Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Ealhswith of Mercia, conventionally assigned the dates c. 920–c. 970, cannot responsibly be presented as a historical poet. No surviving charter, chronicle, genealogy, monastic record, manuscript inscription, or near-contemporary literary testimony identifies a woman of that name as the author of The Wife’s Lament or of any other Old English poem. The name “Ealhswith of Mercia,” together with the narrative of an exil…
Neighbourhood:
Devotional Poets, Medieval Poets, Women Poets
Fanny Greville, born Frances Macartney about 1724 and dead on 28 July 1789, occupies a distinctive if elusive place in eighteenth-century English poetry. Her surviving reputation rests principally on a small number of poems, above all “A Prayer for Indifference,” rather than on a large published oeuvre or a public literary career of the sort enjoyed by many of her male contemporaries. Yet the very modesty of her exta…
Neighbourhood:
Georgian Poets, Romantic Poets, Women Poets
Ealhswith of Mercia:
mercian, the wife's lament, exeter book, anglo-saxon, tenth-century england, edward the elder, æthelstan, exile.
Fanny Greville:
county tyrone, anglo-irish, fulke greville, a prayer for indifference, the court of death, samuel johnson, eighteenth-century poetry, culture of sensibility.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.