A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Francis Pilkington Francis Pilkington

Poet B

Thomas Vautor Thomas Vautor
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 80% Blended 80%
Swap sides Another related pair
Francis Pilkington

Francis Pilkington

c. 1565 – 1638 (~73)
2 live poems · English

In the twilight years of Elizabethan England, when the air itself seemed to vibrate with poetry and music, Francis Pilkington emerged as one of the most distinctive voices in the rich tapestry of Renaissance composition. Born around 1565 in the cathedral city of Chester, Pilkington would spend his seventy-three years crafting musical settings that transformed anonymous verses into enduring works of art, leaving behin…

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Tenderness, Joy, Peace
Thomas Vautor

Thomas Vautor

c. 1592 – 1619 (~27)
1 live poem · English

In the twilight of the English Renaissance, when the golden age of madrigal composition was drawing to its close, there emerged a composer whose work would serve as both culmination and farewell to one of England's most distinctive musical traditions. Thomas Vautor, active from approximately 1590 to 1625, stands as one of the final masters of the English madrigal school, a musician whose single published collection c…

Neighbourhood: Lute-Song Composers
Emotional landscape: Sorrow, Spirituality, Despair

In time

Francis Pilkington
Thomas Vautor
1565 1638
They overlapped for 28 years (1592–1619). When Thomas Vautor was born, Francis Pilkington was about 27. Francis Pilkington was about 54 when Thomas Vautor died.

On the map

About 127 km separate Chester, England from Leicestershire, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

elizabethan england music tradition composers

Francis Pilkington: chester, elizabethan england, lay clerk, chester cathedral, first book of songs, anonymous poems, lute song, john dowland. Thomas Vautor: english madrigal school, beaumont family, glenfield, sir george villiers, marquis of buckingham, sweet suffolk owl, the first set, farewell to oriana.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Rest, sweet nymphs
Francis Pilkington
77%
Compare
Sweet Suffolk owl
Thomas Vautor
Now peep, bo-peep
Francis Pilkington
71%
Compare
Sweet Suffolk owl
Thomas Vautor

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Francis Pilkington: Tenderness, Joy, Peace. Thomas Vautor: Sorrow, Spirituality, Despair.

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