Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Adelaide Crapsey
Ada Cambridge
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the autumn of 1914, as the Great War began tearing Europe apart, a young American poet lay dying in a sanatorium in Saranac Lake, New York. Adelaide Crapsey was only thirty-six years old, and though she had published little during her lifetime, she had invented a new poetic form that would outlive her by generations. The cinquain, her creation, distilled the essence of imagist poetry into five crystalline lines, e…
“I always feel like an idiot when I talk about symptoms.”
Ada Cambridge, who would become one of colonial Australia's most prolific and quietly subversive literary voices, was born on 21 November 1844 at St Germans, Norfolk, England. She was the second child of Thomasine and Henry Cambridge, a gentleman farmer of comfortable means. The Norfolk countryside, with its flat, expansive skies and ancient, weathered churches, would seep into her imagination and later resurface in…
“Pure loving-kindness and open-armed hospitality to strangers surrounded us on all sides but one, and the unexpected welcome went to our young hearts.”
About 5,322 km separate Saranac Lake, New York, USA from St Germans, Norfolk, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Adelaide Crapsey: saranac lake, cinquain, imagist poetry, algernon sidney crapsey, vassar college, smith college, november night, the warning. Ada Cambridge: st germans, norfolk, george frederick cross, the retrospect, hymns on the litany, hymns on the holy communion, up the murray, a marked man.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Adelaide Crapsey: Sorrow, Despair, Wonder. Ada Cambridge: Sorrow, Despair, Longing.
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