Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Paul-Jean Toulet
J. Milton Hayes
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Paul-Jean Toulet was born on 5 June 1867 in Pau, in the Béarn region of southwestern France, and died on 6 September 1920 at Guéthary, on the Basque coast. He occupies a singular place in French literature: neither wholly Symbolist nor conventionally modernist, neither simply a Decadent aesthete nor merely a regional poet of nostalgia. He was a writer of poems, novels, criticism, aphorisms, and journalism, but his la…
“Il n'est de grand amour qu'à l'ombre d'un grand rêve.”
Joseph Milton Hayes, known to the public as J. Milton Hayes, was born in Bristol on 13 January 1884 and died on 6 February 1940. During his lifetime he became one of the best-known writers of recitation verse in Britain, a poet whose work was heard as often as it was read. His celebrity rested especially on “The Green Eye of the Little Yellow God,” a narrative poem whose opening line, “There’s a one-eyed yellow idol…
“I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.”
About 1,171 km separate Pau, Pyrénées-Atlantiques, France from Leeds, Yorkshire, England. Shared ground: France.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
Paul-Jean Toulet: pau, béarn, guéthary, mauritius, jean toulet, les contrerimes, monsieur du paur, les tendres ménages. J. Milton Hayes: bristol, the green eye of the little yellow god, khatmandu, the punch and judy man, edwardian period, music halls, variety theatres, public recitations.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Paul-Jean Toulet: Joy, Wonder, Peace. J. Milton Hayes: Sorrow, Despair, Longing.
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