Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Matsuo Bashō
Sadakichi Hartmann
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Matsuo Bashō, born in 1644 and dead on 28 November 1694, occupies a singular place in Japanese literature: he was at once a professional poet, teacher, traveler, theorist, editor, correspondent, and restless seeker after a way of seeing. His name is now inseparable from haiku, although the compact poems for which he is famous were called hokku in his own lifetime and originally functioned as opening verses for collab…
“Do not seek to follow in the footsteps of the wise. Seek what they sought.”
Carl Sadakichi Hartmann was born on 8 November 1867 on the artificial island of Dejima in Nagasaki Harbor, a narrow strip of land that for generations had been Japan’s only window onto the West. His father, Carl Herman Oskar Hartmann, was a Prussian merchant trading in that tightly regulated enclave; his mother, Osada, was Japanese and died within months of the boy’s birth, leaving him with a wound he never stopped p…
“Everyone has experienced that a smell suddenly appreciated sends back one's train of thought to scenes of the past more rapidly and more vividly than any other art medium.”
About 620 km separate Ueno, Mie Prefecture, Japan from Dejima, Nagasaki, Japan. Shared ground: Japan.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Matsuo Bashō: ueno, iga province, tokugawa shogunate, tōdō yoshitada, kai ōi, minashiguri, haikai, haibun. Sadakichi Hartmann: dejima, nagasaki harbor, walt whitman, whitman society, christ: a dramatic poem, buddha, confucius, mohammed.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Matsuo Bashō: Peace, Wonder, Spirituality. Sadakichi Hartmann: Wonder, Tenderness, Longing.
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